In the past I’ve had good luck purchasing inexpensive elecotronics lab equipment such as autoranging digital multimeters from circuitspecialists.com and would still recommend them but another option has come to my attention. In reviewing some of my literature from the January Consumer Electronics Show (read: working on the backlog of work on my desk) I stubled across the multimeterwarehouse.com website. To be sure these folks specialize in meters and a few power supplies, not the broader range of equipment that Circuit Specialists has, but if you need to outfit an electronics lab, shop or just yourself with a handy digial multimeter they may be just the ticket.
Category Archives: Web Wanderings - Page 5
Canon Rock Guitar Video
If you haven’t seen it yet be sure to check out the “Canon Rock” guitar video by funtwo. This electric guitar version of Pachabel’s classic “Canon in D” was arranged by JerryC in the style of the Trans-Siberian Orchestra (another great group). While JerryC has his own version I prefer the cover by funtwo. The arrangement apparently requires that you have mastered the skill of sweep-picking, something easier said than done. The video has gotten popular enough that New York Times reporter Virginia Heffernan did some research published in this article about just who funtwo is and, after discovering at least one imposter, ended up concluding it is Jeong-Hyun Lim a 23 year old from Korea who studied at Auckland University in New Zealand where he mader the now famous recording. For those interested you can still download a copy of the original WMV file from the site where it was originally uploaded by funtwo, the Korean music site mule.co.kr.
Have you seen the light?
I don’t know about you but I’m still waiting for fiber optic connectivity to my house. If you’re one to dwell in the past you could check out “The $200 Billion Broadband Scandal” aparently written by someone with a strong dislike for the Regional Bell Operating Companies (RBOCs) but that’s unlikely to change where we are today.
Perhaps it’s time for a paradigm shift in communications facilities. Telephone companies are whining that it’s simply too expensive to install fiber connectivity to the premises and the payback is too slow. Of course these are the same companies trying to extort money from web service providers such as Google and Yahoo claiming they aren’t paying their fair share and the same companies which have scammed us in the past (see above). But what if the telephone companies didn’t own the fiber network? What if your local municipality installed the fiber from your house back to a central point, leased it to you and allowed you to make a service agreement with any ISP who would be responsible for “lighting up your fiber”, maintaining the circuit and providing access?
This is just the proposal made by Bob Cringely in a recent column. It appears that someone may have been listening too as the Register (and later Cringely) pointed out the Berkley, California city council tabled a proposal for citywide WiFi to expore a fiber optic proposal instead. If the council moves ahead with the fiber plan and it is sucessful this could result in a string of such projects nationwide, speeding fiber deployment from coast to coast.
It’s worthwhile to look at where this idea originated and some of the details. It seems Bob got the idea (via Bob Frankston one of the VisiCalc inventors) from Bill St. Arnaud, a Canadian researcher. In this presentation St. Arnaud outlines a proposal for muncipal fiber leased to customers. SUch proposals have existed in the past but are often fiercly fought by incumbant carriers worried about loosing marketshare. What makes this proposal different is that the city only installs the fiber loops from a common access point to individual subscibers, they do not provide any services. Customers are responsible for contracting with a seperate service provider to receive voice, data or TV service over the fiber. The idea is that incumbant companies, along with startups, would provide these services and have little to loose as they have not made the large invenstment in running cable to individual subscribers. Another benefit is that the local loop would not be owned by a company removing the need for an incumbant to lease local lines to a competitor as is now common practice in the telephony industry and increasing competitve choice by reducing the barrier to entry.
St. Arnaud further suggests that the customer’s contracted service provider would be responsible for maintaining the fiber (either itself or, more likely, subcontracted out) removing ongoing maintenance expense from the municipality. In addition, the municipality would be able to use fiber connectivity itself to connect various city, county and school buildings to a high speed data network. The presentation suggests that a fiber system such as this using either optical ribbon fiber or micro-conduits would cost only about $1000-1500 per subscriber at 25-40% take up. St. Arnaud also points to a similar installation in Sweeden which he claims has been extremely successful.
I would love to see how this idea would play out in the real world, and would love for my community to be the one to try it yet that seems unlikely. In the meantime I’ll monitor resources such as the Fiber to the Home Council and FiberFirst Minnesota for details about fiber connectivity proposals in my neck of the woods.
Tracking the Weather
Not too long ago I was driving through a town and saw they advertised themselves as part of the National Weather Service “StormReady” program. Being a trained spotter for the NWS I’ve heard a lot of jargon and have a better than average idea about what the NWS is responsible for, but I had never heard of this program. Of course when I got home I had to look it up and found that such a program does exist, but apparently is not widely used (as of this date only 1086 communities nationally are certified).
According to the National Weather Service StormReady website:
StormReady is a nationwide community preparedness program that uses a grassroots approach to help communities develop plans to handle all types of severe weather—from tornadoes to tsunamis. The program encourages communities to take a new, proactive approach to improving local hazardous weather operations by providing emergency managers with clear-cut guidelines on how to improve their hazardous weather operations.
As an amateur radio operator and trained spotter I’d like to see more communitites participate in programs such as this as they prepare for inevitable natural disasters.
On another weather related note I discovered a piece of software called Swift WX which claims to have real-time weather radar you can watch from your PC. My suspician is that the software polls the NWS servers for the already free NEXRAD radar data overlays it on maps with other graphics. Note that with current weather radar technology the radar must make several sweeps at varying angles to create a usable composite image which takes several minutes. Furthermore, unlike systems hooked to dedicated radars such as those at many TV stations software such as this must wait for the next data update from the NWS. While this happens frequently, calling it real-time is probably a stretch. I suppose that if you weren’t satisfied using a web-based radar viewing solution a product such as this could be useful, but it doesn’t appear to be anything special.
It’s like stealing from a big monopolistic corporation
I can’t help but assume this amusing page is a humorous jest and ploy to sell novelty toys. It looks like someone had a little too much fun with a soldering iron and superglue and decided to dedicate a webpage to it. Interesting considering the rest of the site looks fairly legit. Of course the patent they claim applies to these devices has nothing to do with the devices themselves.
So what am I talking about? You’ll have to go see for yourself!
Phone distribution in small business and residental applications
One of the best ways to distribute phone lines in residential and small business applications is to use some kind of punchdown block in combination with a star (also called home run) topology. While the site is not completely devoid of commercial aims (they do sell equipment) the Phone Man site has great explantions of how to wire 66 and 110 blocks for phone distribution (when you don’t have a PBX type system and simply wish for all phone lines to go to all jacks).
For what it’s worth I recently bought a DSL splitter from the site for a recent project and highly recommend installing a centralized DSL splitter such as the Wilcom PS15-I3S and doing away with all those individual DSL filters around your house.
Isn’t public data great?
Thanks to this website at the National Weather Service (a friend to all free data lovers these days) you cna get a complete list of counties in the US and US territories. The list includes data such as the NOAA/NWS FIPS codes, centralized coordinates and a description of where in the state the county is located. The list is currently provided in three formats at least one of which (dbf) can be opened in the free OpenOffice Calc (spreadsheet) program. If you don’t have a use for this data right now at least you can look at this lovely map of all 3110 counties in the continental United States.
Simple DMX Signal Locator
If you spend much time involved with lighting in a production environment you can understand how useful it can be simply to know if DMX signaling is present at any given location. Luckily, on the internet you can find instructions for building your very own simple DMX tester. As desribed this “keychain DMX tester” will test for the existance of DMX signal voltage and signal polarity. While not especially complex, this simple pocket tool is bound to come in handy if you spend much time troubleshooting DMX lighting control.
Controlled Lighting
Last year I made a post about some of the options for inexpensive DMX control. For those not familiar, DMX is a serial control protocol used in most modern professional lighting systems for theaters, concert halls, rock tours, etc. I continue to receive feedback on my original posting, some of which I still plan to respond to. In the meantime I would like to pose a few more ideas for you to think about and resources to investigate.
One of the interesting aspects of professional sound and lighting work is that, over time, it has become more and more integrated with computers and more recently, computer networks. Modern sound consoles can use “digital snake” technology and digital control technology which allows for much more flexible installations. In the lighting arena it is incresingly popular to run DMX over (relatively inexpensive) ethernet networks instead of dedicated serial cabling.
As with much of the technology found in production environments DMX over ethernet has been way overpriced. Be it the small demand for the technology compared with “consumer” technology or just the long track record of paying a premium for production technology DMX over ethernet has been out of a reasonable price range for most schools and non-profit theaters.
While poking around on the internet one day updating myself on current production technology I stumbled across the work of Simon Newton. Simon has created an open source driver for ArtNet (one of the popular and standardized protocols for DMX over ethernet). His project, called libartnet is specific to POSIX based systems, including both Linux and Mac OS X.
But what can you do with it, you might ask. Right now if you wanted to control some lights with a PC (using Martin’s LightJockey for instance) you would run a program which would output DMX on some kind of hardware interface (either proprietary or open source) which you would run into an ArtNet converter box and convert to ethernet. That seems kind of silly to me. After all, most PCs already have an ethernet port so why buy two more pieces of hardware? (Remember what I said about production technology being too expensive…) Anyway, with libartnet (assuming your control software recognized it) you could output DMX straight from your ethernet interface. But what software has libartnet support? Well, DMX4Linux does for sure and that means almost any lighting control software that runs on Linux will. Specifically, the GUI based Q Light Controller will. See how useful having a driver abstraction layer such as DMX4Linux is, but I digress. Another benefit of coming directly out of an ethernet port is the support for wireless.
Wireless ethernet is increasingly prevalent and compared with exisiting wireless DMX products it is downright cheap. Now we have solved the problem of wanting wireless control, after all with technology like this you could focus lights using your PDA with it’s built in 802.11x capability. But what about the other applications for wireless DMX? Simply routing the DMX signal between trusses or pipes in a large theater can present a problem. As I mentioned traditional wireless DMX is incredibly expensive and not all that great a technology. It turns out I have a solution for this as well. A few weeks ago I suggested to a hardware engineer I work with that he look into the possibility of using a pre-certified 802.11x transmitter (such as those from Digi International) to create an inexpensive wireless DMX product. After looking around on the internet a couple of weeks later I discovered that wireless ArtNet tranceivers already exist, but as can be expected with production technology, are wildly overpriced.
One of the most interesting solutions I found came from the same Simon Newton who developed libartnet. Simon was able to replace the OS on a Netgear router with a version of Linux and libartnet. Then, using the USB port on the router he was able to connect up some USB-DMX adapters and create an extremely inexpensive wireless ArtNet node. See this page for more information and specifics. The solution isn’t esxpecially elegant but it does show how inexpensively this could be done and gives some hope for future inexpensive ethernet to DMX adapters based on embedded system technology.
Who’s afraid of the big bad record companies?
If you’re an artist you should be! In a time not so long ago pretty much all local bands wanted to get “signed” by one of the big record companies. They seemed to feal these “deals” would get them notoriety and/or make them wealthy performers. All to many of those that did get “deals” ended up poor and unknown while the record executives wallpapered their offices with money.
Thanks to the internet independant artists can have a fighting chance on their own. The possibility of making it big without one of the record companies, if you have talent anyway, is not all that remote. Today one of the best things that could happen to a local band that is good, at least in my opinion, is to be turned down for a record contract and have to go it alone. I’m just waiting for the first wildly successful “viral” marketed band to sweep the nation. I feel we are now on the verge of this great accomplishment. The first few bands to make it big this way are likely to be picked up by one of the big companies which is too bad for them. Eventually someone will be smart enough not to let this happen and know that they have enough marketing capital to go it alone and in the process become much more wealthy. I wait paitently for that day and will not morn the passing of the record companies into the annals of history.
For more on the atrocities committed by the recording industry see “Courtney Love Does The Math” by Cournet Love and “The Problem With Music” by Steve Albini. These two provocative essays written by music industry insiders will give you a deeper understanding of how the present music industry works and a new appreciation for the hardships faced by artists once they make a deal with a record company.
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